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The blank canvas- or in this case the blank panel. There is a sort of unbridled fear mixed with excitement each time I face one of these. It is an uphill battle and prime time for my inherent procrastination. Can I do it again? Can I do a better job of it than I did the last time? Have I improved or learned anything at all? Perhaps I’ll wait and start it tomorrow, or next week…An occasion to pull oneself up by the proverbial bootstraps, for sure.

This small piece will be a study for a much larger work with numerous figures more typical of my style. I don’t often paint human figures without facial features and I wanted to ensure that I captured the essence and the relative textures sufficiently before embarking on the grander canvas. There is no worse feeling than spending countless hours on a large work only to realize mid-way through that it is ill-conceived or incorrect in some way and there is simply no salvaging it. No option at that time but to flip a coin as to slogging on or giving up the metaphorical ghost.

Working from a personal photograph, I don’t typically use the “grid method” but I went with it for this one in order to speed things up. I also wanted to ensure that the proportions were correct  for this tiny scale. I don’t intend to spend too much time on the drawing process. I am using a small wooden panel (13″ x 11″) that I picked up one afternoon from the NUNU Arts & Culture Collective in Arnaudville, LA. I am really fond of that small Acadiana town and this art collective is a really dynamite organization. The image is of a masked celebrant during rural south Louisiana’s Courir de Mardi Gras.